首页 首页 摄影师 摄影师 安塞尔·亚当斯 安塞尔·亚当斯 详情 详情

安塞尔·亚当斯

“Ansel’s portrait of O’Keeffe and Cox was made at the rim of Canyon de Chelly. ‘I was walking around with my Zeiss Contax,’ he wrote, ‘and I observed O’Keeffe and Orville Cox in breezy conversation standing on a rock slope above me. They were engaged in a bit of banter. The moment was now . . . .’ “In the spring of 1935, Dr. Carl Bauer, the U.S. representative of Carl Zeiss, had presented Ansel with his first 35mm camera, a Zeiss Contax. Filled with enthusiasm for ‘the miraculous instrument’ and excited by the photographic possibilities of the small format, he spent the following summer in the Sierra in what he described as an ‘orgy’ photographing ‘everything from clouds to water-bubbles, people, mules, rocks, and flowers.’ When Ansel showed the 35mm camera to Stieglitz even he was seduced: ‘If I had a camera like that I would close this place up and be out on the streets of the city!’ “That winter Camera Craft magazine published Ansel’s article on 35mm photography with the title ‘My First Ten Weeks with a Contax.’ He wrote, ‘The camera is for life and for people, the swift and intense moments of existence . . . ,’ and his light-hearted photograph of O’Keeffe proves the point. He continued: ‘In general I favor a tripod-mounted view camera for static subjects that invite contemplation.’ ‘This was one special moment requiring the spontaneous capability of my 35mm camera, not the cumbersome and time-consuming setting up of my view camera.’ ‘My main aesthetic objective has been to find the ‘rightness’ of subject in relation to the apparatus; not to imitate the production of larger cameras, but to speak in the specific language of the medium employed, or, rather, in a particular dialect of the language of photography.’” Excerpt from ‘Looking at Ansel Adams’ by Andrea Gray Stillman, published by @littlebrown . 📷1: 35mm proof sheet of images Ansel made at Canyon de Chelly National Monument, Arizona, in 1937. 📷2: “Georgia O’Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona,” 1937. Photograph by Ansel Adams. Collection Cantor Arts Center, The Capital Group Foundation Photography Collection at Stanford University. @cantorarts

3657
15
19天前
评论
Fionn Kearney
3

18天前

Thank you so much for sharing the contact sheet, they're fascinating to see

Jim Hair
2

18天前

One great thing this contact sheet reveals is that Ansel was using DuPont nitrate film, and that it was possibly bulk loaded. Thanks for the glimpse of how he worked @anseladams ❤️

Craig Bartlett
2

18天前

So cool to see the proof sheet! And he def picked the winner 🙌🏼

Cantor Arts Center at Stanford University
1

18天前

Slide 2 is one of our favorite photos in our photography collection♥️

Adam Ruzzamenti
0

19天前

Both figures look like they are significantly dodged by the glow around them

Licensed to Still
0

19天前

I wonder what he was shooting with- a 6x7 probably

Licensed to Still
0

19天前

No- 35mm

JB Cobian
0

18天前

🫶🏽🙌🏽

Liisa Helena Heint
0

18天前

❤️

lynn patrick doyle
0

18天前

❤️

Jeff Johnson
0

18天前

Love these. 🔥🔥🔥

.
0

19天前

🔥

Chris Card
0

19天前

awesome

Marcello Grassi
0

19天前

❤️

摄影师最新内容

CANON

Photo of Canon Explorer of Light @zaknoyle: "Shooting Pipeline isn’t just about the wave, it’s about the energy around it. Being right there in the water, close enough to feel it… that’s everything. Canon gives me the freedom to stay locked in, so the story tells itself, frame by frame." 🌊 

ehl

Venezia • • • • • #venezia #venice #venedig #veneto #streetphotography #blackandwhite #schwarzweißfotografie 

philpen

"It almost feels like you're looking at one big picture" – @philpenman From behind the lens to the gallery wall: a city captured in 96 hours 📷🏙️ The New York Street Photographer takes us on a journey through his intense 96-hour shooting process in Biel/Bienne, where every shot tells a story of emotion, movement, and connection. His trademark style brings the streets to life, and with WhiteWall’s premium prints, these images are brought to their full potential. From meticulously framed portraits to spontaneous moments, this exhibition showcases the true power of photography, where the magic happens in the details. Thank you, Phil, for taking us to that incredible journey! In collaboration with @rebl.space, @leica_camera_schweiz, and @usmmodularfurniture #PhilPenman #BielBienne #Leica #LeicaCamera #LeicaSwitzerland #BielerFototage #Exhibition #WhiteWall #WhiteWall_lab 

philpen

Street Moment from Berlin, Germany Copyright Phil Penman WWW.PHILPENMAN.COM Link in Bio to sign up to mailing list Prints available at WWW.PHILPENMAN.COM Image: Berlin, Germany Note: All images are original as shot and Not computer generated AI. “The experience of creating an image is more important than the final result“ 

noma

Two analogous color palettes with alpine blues and lush greens to inspire your editing journey! With @vagamazz - Winner Best of the Week 19 at #nomadict 2024 / “For me, photography is about more than just technique, it’s about emotion and atmosphere. Knowing your gear is key, but it’s the mood of a scene that truly sets the tone for my work. That’s why I use color not just as an enhancement, but as a tool to reinforce the emotional depth and atmosphere of the image. For this series, I used Peakto during the #PeaktoContest to help me surface green tones in nature, and I think images one and seven illustrate that approach well: 1) Palette one - see image 1 This scene from Switzerland has stayed with me. The cool blues and greens feel like a breath of fresh air: Charcoal brown (21201e) Slate grey (41403c) Forest teal (386964) Mustard yellow-brown (a38a49) Espresso brown (292214) I prefer cooler tones like these. According to research in color theory, cool colors (especially blues and greens) tend to evoke feelings of calmness, spaciousness, and depth (Jiang et al., 2014). And when I look at this image, I feel exactly that. 2) Palette two - see image 7 In this classic Costa Rica scene, it’s the misty cyan of the lake that draws me in first, framed by deep forest greens. I’m fascinated by how palettes can instantly transport us. This one feels like stepping into a world of mystery and enchantment:   Rich forest green (031209) Olive drab (252f1d) Misty cyan (88bdc9) Coffee Bean (593f34) Olive Green (5e632b) I’ve learned that these kinds of natural tones don’t just look beautiful, they make us feel something. Studies in environmental psychology (like Kaplan & Kaplan, 1989) show that greens and blues can reduce stress and help restore our sense of focus. I think that’s why I keep coming back to these colors. They connect me to the moment and to the story I’m trying to tell through the frame.” @nomadict: Which of these fantastic palettes by @vagamazz do you enjoy the most? 🎨 

sparling

Perfect days cruising with friends through the islands around Coron 🌴 

Alan

New photos of mine from NYC! If you are in town and free on Saturday join me for a free photo walk and meet some like minded people at midday at the Leica Store NY ☺️ 

with

Fortress in the heavens 🏰 A gloomy dark day yesterday turned quickly into one of my favourite ever shoots - by flying high above the cloud cover we were greeted by this incredible jagged cliff breaking through the inversion. An epic way to spend day 5 of my Faroes Workshop! #aerial #djiglobal 

Street

This photo was taken by @yu.leon_747 .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ This week’s theme is #SPi_Transport. We want to see your best street photography that features different modes of transport. Tag your photos #SPi_Transport and follow @streetphotographyinternational for your chance to be featured.⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ #SPiCollective #streetphotography