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安塞尔·亚当斯

‘Sand Dunes, Oceano, California,’ c. 1950. Photograph by Ansel Adams. ©️The Ansel Adams Publishing Rights Trust

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14天前
评论
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14天前

❤️

1

14天前

👏👏👏Beautiful

Aran Guest
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14天前

Awesomeness👏👏👏👏👏👏👏

真木悠平
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14天前

The beauty of nature🔥🔥🔥

Razika Campbell Photography
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14天前

👏👏👏 beautiful photo

Camille Enara Pirón
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14天前

j’adore les textures 💯🤧

Sanjeev Raman
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14天前

The description of how he made this in “The Making Of 40 Photographs” which I coincidentally just read a couple days ago, is fascinating. He talks about film grain and how a correct choice of film and developer can work to the photographer’s benefit when trying to realize/ maintain the graininess of sand in the print.

Greg Wilson
0

14天前

Amazing texture

Geoff Brehaut
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14天前

I’m a big fan of Ansel Adams. I do wonder though if someone else had posted this image, would it have so many likes..? No offence Ansel!

0

14天前

❤️

Júlio Souto
0

14天前

📸👍👏👏

BEAUTYFUL COMPANY TOOLS
0

14天前

great work, i love it 👏

Miguel Santomé
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14天前

🔥

Gianluca Covelli
0

14天前

🙂❤️✨

Sergio Arjona Caurel 🔥☠️💣🔥
0

14天前

🔥🔥🔥🔥🔥🔥🔥🔥🔥👏👏👏👏👏👏👏🔥🔥🔥

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*Happy Birthday to Ansel’s ‘Monolith’!* 🏞️ “Born” on this day, April 10, 1927. Andrea Stillman’s biography “Looking at Ansel Adams” includes a wonderful chapter all about this storied photograph: “In 1992 I was in Ansel’s workroom selecting images for a prospective book of his photographs when Virginia appeared and announced that she had found a stash of home movies from the late 1920s and 1930S. With anticipation we rented a movie projector to screen them. Miraculously, one reel included footage of the trek to the Diving Board. It showed Ansel in his favorite plus fours, lugging his forty-pound pack, with a rakish fedora hat and the Keds high-top basketball shoes he favored for hiking. “The climbers struggled up…in deep snow, and when they reached the Diving Board they pulled each other up with a ludicrously thin rope. Virginia fearlessly inched out onto the sharply angled granite spur, and when she reached the tip she stood up and blithely waved. It seems appropriate that Ansel presented the very first print of ‘Monolith’ to Virginia. “Ansel was twenty-five years old when he made ‘Monolith.’ At age eighty he was able to recall the experience of making the negative, every detail as clear as it more than a half century had not elapsed. He photographed Half Dome hundreds of times, and there are many different interpretations that include moons, clouds, snow, flowers, leaves, trees, even deer and people. In 1978, during one of his last annual Yosemite workshops, he and his photographic assistant, John Sexton, contemplated Half Dome together and talked about the taking of ‘Monolith’ in 1927. According to John, Ansel laughingly confided, ‘Maybe I should just have stopped then.’” Text, film footage and Ansel Adams images are copyright ©️The Ansel Adams Publishing Rights Trust. All rights reserved. John Sexton’s photograph courtesy of @johnsextonphoto. All rights reserved.