安塞尔·亚当斯
‘Sand Dunes, Oceano, California,’ c. 1950. Photograph by Ansel Adams. ©️The Ansel Adams Publishing Rights Trust
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❤️
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👏👏👏Beautiful
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Awesomeness👏👏👏👏👏👏👏
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The beauty of nature🔥🔥🔥
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👏👏👏 beautiful photo
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j’adore les textures 💯🤧
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The description of how he made this in “The Making Of 40 Photographs” which I coincidentally just read a couple days ago, is fascinating. He talks about film grain and how a correct choice of film and developer can work to the photographer’s benefit when trying to realize/ maintain the graininess of sand in the print.
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Amazing texture
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I’m a big fan of Ansel Adams. I do wonder though if someone else had posted this image, would it have so many likes..? No offence Ansel!
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❤️
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📸👍👏👏
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great work, i love it 👏
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🔥
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🙂❤️✨
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🔥🔥🔥🔥🔥🔥🔥🔥🔥👏👏👏👏👏👏👏🔥🔥🔥
🆕 NEW SERIES! 🎨 Color Series 💰 $1500 in prizes to be won! ⏰ Submissions close on April 17 at 12:00 PM EDT 🎟️ 25 pixels to enter each Quest ⚫ Black & White Let tone, texture, and contrast take the spotlight. Strip away color and craft timeless compositions through light and shadow. 🔵 One Color Pick one hue and let it lead. Create bold or subtle monochromatic imagery that radiates cohesion and mood. 🌈 Color Combinations Show off your eye for harmony and contrast. Use bold pairings, gentle gradients, or complementary tones to make your image pop. 📸 Download the PULSEpx app to join one or all of these Quests! 🔗 Link in bio! Photo 1 by Dan Martland Photo 2 by Pierr' Eau Photo 3 by Grzegorz Tatar #photocontest #photographyprizes #photocommunity
🏆 Featured in the 500px BEST 10 Awards 2024 – Photo Series of the Year 📷 Little moments, big feelings. "Little Moments" by Wenqi Lin @vision_lynn is a beautiful tribute to childhood memories—simple, joyful, and glowing with warmth. As an 80s kid, Wenqi recreates scenes from their youth using miniature props, capturing the essence of a time before screens and noise. Each image tells a story of innocence and wonder, reminding us that the smallest memories often leave the biggest imprint. #photography #photographer #photograph
We all belong to either one of them and nothing wrong with that😛 lately I have been trying to balance between being observant and present vs shooting for content Always a beautiful time coming back to Hong Kong with @peninsulahotels , more art and elegance with their global art programme #ArtinResonance. The unparalleled artistry of “Lunar Rainbow” — a large-scale celestial-themed installation on the facade, “She’s Bestowed Love” — a red textile work in The Lobby, and “The Flow Pavilion” — a one-way glass structure within a Zen Garden. If you're in town, be the main character and do yourself a favour to check out "Lunar Rainbow" and "She's Bestowed Love" - both will be exhibiting till May. #PenMoments
*Happy Birthday to Ansel’s ‘Monolith’!* 🏞️ “Born” on this day, April 10, 1927. Andrea Stillman’s biography “Looking at Ansel Adams” includes a wonderful chapter all about this storied photograph: “In 1992 I was in Ansel’s workroom selecting images for a prospective book of his photographs when Virginia appeared and announced that she had found a stash of home movies from the late 1920s and 1930S. With anticipation we rented a movie projector to screen them. Miraculously, one reel included footage of the trek to the Diving Board. It showed Ansel in his favorite plus fours, lugging his forty-pound pack, with a rakish fedora hat and the Keds high-top basketball shoes he favored for hiking. “The climbers struggled up…in deep snow, and when they reached the Diving Board they pulled each other up with a ludicrously thin rope. Virginia fearlessly inched out onto the sharply angled granite spur, and when she reached the tip she stood up and blithely waved. It seems appropriate that Ansel presented the very first print of ‘Monolith’ to Virginia. “Ansel was twenty-five years old when he made ‘Monolith.’ At age eighty he was able to recall the experience of making the negative, every detail as clear as it more than a half century had not elapsed. He photographed Half Dome hundreds of times, and there are many different interpretations that include moons, clouds, snow, flowers, leaves, trees, even deer and people. In 1978, during one of his last annual Yosemite workshops, he and his photographic assistant, John Sexton, contemplated Half Dome together and talked about the taking of ‘Monolith’ in 1927. According to John, Ansel laughingly confided, ‘Maybe I should just have stopped then.’” Text, film footage and Ansel Adams images are copyright ©️The Ansel Adams Publishing Rights Trust. All rights reserved. John Sexton’s photograph courtesy of @johnsextonphoto. All rights reserved.