CANON

Photo by @notlukegover: "Be still like water." #ShotOnCanon 💙🌎 📸 #Canon EOS R Lens: RF15-35mm F2.8 L IS USM 

axling

Stockholm Transport Sony A7ivA7RV/GM 50mm1.2 2024 #woofermagazine #thinkverylittle #bnw_demand #bealpha #spi_transport 

ehl

Venezia • • • • • #venezia #veniceitaly #venedig #veneto #streetphotography #blackandwhitephotography #schwarzweißfotografie Happy Easter ! 🐇🐣 

安塞尔·亚当斯

“I feel it important never to minimize the minutiae of nature, especially in photographic interpretations of the natural scene, as they represent an intimate contact with the world which the grand vistas at their best may only suggest. . . Once the photographer realizes the inexhaustible resource of potentially expressive images about him, a new world will open before him.” —A.A. ⁠ ‘Leaf, Glacier Bay National Park & Preserve, Alaska,’ 1948. Photograph by Ansel Adams. ©️The Ansel Adams Publishing Rights Trust 

philpen

Recent Street Moments from New York City. Only a few places left on workshops coming up this year in NYC, link in bio to register, hope to see some of you there! June 7th - 8th (One Place Left) July 5th - 6th (One Place Left) August 9th - 10th (One Place Left) September 6th - 7th (One Place Left) September 13th - 14th (Four Places Left) Copyright @PHILPENMAN WWW.PHILPENMAN.COM Link in Bio to sign up to mailing list Print available at WWW.PHILPENMAN.COM Locations: New York, USA Shot with the Leica Cameras Note: All images are original as shot and Not computer generated AI. “The experience of creating an image is more important than the final result“ 

chluke

The roads of Northern California 🇺🇸 

noma

Four strategies to infuse your images with intention and space with the Japanese concept MA! With @z.a.o_ / “MA (間) is a Japanese concept often translated as “the space between things.” But it’s more than physical emptiness. It’s the pause that gives rhythm to sound, the stillness that invites presence, the silence that deepens meaning. In the visual arts, especially photography, MA is more than a concept — it’s a way of seeing, composing, and engaging with the moment. It shapes how you shoot, and invites the viewer in. Here are four strategies to infuse your images with the essence of MA: 1) Space as subject What surrounds your subject is just as meaningful as the subject itself. Negative space — open sky, quiet sea, empty room — becomes key in the composition. It’s not emptiness. It’s an invitation. Room for the eye to rest. Room for emotion to rise: A single palm on an untouched shore. A figure dissolving into the fog. A sunlit doorway holding more story than words could tell. 2) The in-between moment Western photography often chases “the decisive moment.” But MA leans into the moment before — the breath between beats. The suspension before the jump. The nearness before the kiss. The tension before the wave breaks. 3) Slowness and intention Photography guided by MA is unhurried. It’s not trying to impress — it’s trying to connect. Hold the shutter longer. Wait for the light to shift. Leave space around your subject. Compose with care, not clutter. It’s not silence that is empty — it’s silence that is full. 4) MA is not just a visual technique — it’s a lens through which to see the world. You’re not capturing. You’re receiving. You’re not adding. You’re allowing. You’re not filling space. You’re honoring it. In this way, photography becomes less about control and more about openness. Less about declaring and more about listening.” @nomadict: Have you ever tried shooting with this concept in mind? 📸 

ben

First FPV mission after 50 hours in the simulator 🚀 Over the last six months I’ve been dabbling with a new hobby, the pursuit of learning how to fly FPV drones. The learning curve is quite immense in my opinion. I really had to take my time in the simulator (probably way too long) to understand the fine movements of keeping these little quads flying smoothly and precisely. It all led up to this flight. This was my first launch test of a 7” long range setup. Prior to this, I did two manual flights with an Avata 2 to build the take off and landing reflex, crashed into a bridge and then decided just to send it with the 7” 😂 The shots are pretty average as I am still fighting the nerves to get closer, but I’m really excited for the cinematic potential of filming the Icelandic landscape in a totally new way. More to come! 

Street

This photo was taken by @niels_photo .⠀⠀⠀⠀ .⠀⠀⠀ .⠀ This week’s theme is #SPi_Silhouettes. We want to see your best street photography featuring silhouettes. Tag your photos #SPi_Silhouettes and follow @streetphotographyinternational for your chance to be featured.⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ .⠀⠀⠀⠀ #SPiCollective #Streetphotography